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Geoffrey, although in reality deeply impressed by the grandeur of all the surroundings, yet cannot keep his eyes from Mona's face, her pretty attitude, her two mighty defenders. She reminds him in some wise of Una and the lion, though the idea is rather far-fetched; and he hardly dares speak to her, lest he shall break the spell that seems to lie upon her. "It is nearly over," he gasps, painfully. "Say good-by to me. Do not quite forget me, not utterly. Give me some small place in your memory, though—so unworthy." It is over; the curtain is down; the charming transformation-scene has reached its end, and the fairy-queen doffing her radiant robes, descends once more to the level of a paltry mortal..

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"Edith Carson is very nearly so, I think." "Besides, I do not understand what you mean," says Geoffrey, still regarding his mother with angry eyes "Why connect Mona's absence with Paul Rodney?" She waits apparently for an answer, at which Mona grows desperate. For in reality she has heard not one word of the labored speech made to her, and is too frightened to think of anything to say except the unfortunate lesson learned in the carriage and repeated secretly so often since. She looks round helplessly for Geoffrey; but he is laughing with his brother, Captain Rodney, whom he has not seen since his return from India, and so Mona, cast upon her own resources, says,— A strange scene presents itself to their expectant gaze. Before them is a large room (if so it can be called), possessed of no flooring but the bare brown earth that Mother Nature has supplied. To their right is a huge fireplace, where, upon the hearthstone, turf lies burning dimly, emitting the strong aromatic perfume that belongs to it. Near it crouches an old woman with her blue-checked apron thrown above her head, who rocks herself to and fro in silent grief, and with every long-drawn breath—that seems to break from her breast like a stormy wave upon a desert shore—brings her old withered palms together with a gesture indicative of despair..